Help is on the way
Pernille Braun
Crystal (2012)
glass, 20cm

Pernille Braun

Crystal (2012)

glass, 20cm

Marta Klonowska
Sculpture made of splinters of tempered glass

Marta Klonowska

Sculpture made of splinters of tempered glass

Kendell Geers
Obelisk (2008)

Kendell Geers

Obelisk (2008)

Michael Joo
Visible (1999-2000)
urethane, nylon, plastic, glass, walnut, patinated steel, 152.4 x 121.9 x 121.9 cm

Michael Joo

Visible (1999-2000)

urethane, nylon, plastic, glass, walnut, patinated steel, 152.4 x 121.9 x 121.9 cm

Roni Horn
Opposite of White v. 1. (2006)
106 cm diameter x 36.8 / 38.1 cm
solid cast glass

Roni Horn

Opposite of White v. 1. (2006)

106 cm diameter x 36.8 / 38.1 cm

solid cast glass

Akio Hayakawa
Glass-light

Akio Hayakawa

Glass-light

Anthony Luensman
Ladder for Blurred Perspective (2009)

Anthony Luensman

Ladder for Blurred Perspective (2009)

Judith Hopf
Cage Cube 1 (2012)
glass, adhesive tape

Judith Hopf

Cage Cube 1 (2012)

glass, adhesive tape

Luke Jerram
Rotated DowJones in Glass 1980-2012 (2012)

Luke Jerram

Rotated DowJones in Glass 1980-2012 (2012)

Michael Kienzer
Off Order Vol 2. (2011)

Michael Kienzer

Off Order Vol 2. (2011)

Luka Fineisen
Bubbles (2012)

Luka Fineisen

Bubbles (2012)

Eric Franklin
Embodiment (detail) (2006/2008)

Eric Franklin

Embodiment (detail) (2006/2008)

Josefine Lyche
Lens Flare

Josefine Lyche

Lens Flare

Walead Besthy
FedEx - Large Kraft Boxes

One of the ongoing series in Walead Besthy’s work consists of glass cubes which are shipped from exhibition venue to exhibition venue and inevitably but unforeseeably are damaged en route by their handling. The final artwork, an unofficial collaboration with FedEx, is the semishattered cube displayed alongside souvenirs from its formative journey - the cardboard shipping crates use as ready-made pedestals.

Walead Besthy

FedEx - Large Kraft Boxes

One of the ongoing series in Walead Besthy’s work consists of glass cubes which are shipped from exhibition venue to exhibition venue and inevitably but unforeseeably are damaged en route by their handling. The final artwork, an unofficial collaboration with FedEx, is the semishattered cube displayed alongside souvenirs from its formative journey - the cardboard shipping crates use as ready-made pedestals.

Josiah McElheny
Endless Repeating Twentieth Century Modernism (2007)
hand blown mirrored glass, semi-transparent mirror

Josiah McElheny

Endless Repeating Twentieth Century Modernism (2007)

hand blown mirrored glass, semi-transparent mirror